{"id":1536,"date":"2021-01-16T18:08:25","date_gmt":"2021-01-16T17:08:25","guid":{"rendered":"https:\/\/marika-rizzi.com\/?page_id=1536"},"modified":"2021-04-06T16:46:08","modified_gmt":"2021-04-06T14:46:08","slug":"objet-d-2","status":"publish","type":"page","link":"https:\/\/marika-rizzi.com\/index.php\/objet-d-2\/","title":{"rendered":"OBJET D."},"content":{"rendered":"

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%22J’AI TROUV\u00c9 LA VERTICALE PAR MES SINUS%22 \u00c9LODIE<\/h1>\n

(2011)<\/h2>\n

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OBJET D.<\/h1>\n

(2006)<\/h2>\n

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Conception et i<\/span>nterpr\u00e9tation <\/span>Marika Rizzi<\/b><\/span><\/h3>\n

Cr\u00e9ation images et vid\u00e9o :<\/span>\u00a0Vidal Bini<\/b><\/span><\/h3>\n

Son\u00a0: Vidal Bini<\/strong> et Matthieu Burner<\/strong><\/span><\/h3>\n

Avec la participation de Caroline Allaire<\/span><\/h3>\n

 <\/p>\n

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La visite du mus\u00e9e juif de Berlin avait \u00e9t\u00e9 le point de d\u00e9part pour ce solo. C\u2019est l\u2019architecture du b\u00e2timent et plus particuli\u00e8rement la structure du re-de-chauss\u00e9 qui m\u2019avait inspir\u00e9e. Presque rien y \u00e9tait expos\u00e9, l\u2019espace invitait n\u00e9anmoins \u00e0 la d\u00e9ambulation pour se d\u00e9placer dans les diff\u00e9rents espaces. Un long couloir en pente amenait \u00e0 une petite salle tr\u00e8s haute avec juste une ouverture taill\u00e9e dans le ciment et en hauteur, une fois l\u2019\u00e9norme porte ferm\u00e9e aucun bruit p\u00e9n\u00e9trait \u00e0 l\u2019int\u00e9rieur assurant la sensation d\u2019isolement, d\u2019anxi\u00e9t\u00e9 aussi. D\u2019un autre espace arrivait un son plut\u00f4t strident qui devenait de plus en plus per\u00e7ant au fur et \u00e0 mesure qu\u2019on s\u2019y approchait. On \u00e9tait invit\u00e9 \u00e0 marcher sur des pierre dont le frottement provoquait le bruit. Attentive au son c\u2019est seulement une fois au milieu de cette surface \u00e0 pi\u00e9tiner que je m\u2019apercevais qu\u2019on marchait sur des galets ronds repr\u00e9sentant des visages la bouche ouverte. Encore une sensation autrement insoutenable \u00e9mergeait de cette exp\u00e9rience. La rang\u00e9e de st\u00e8les tr\u00e8s hautes dans le jardin \u00e9tait devenue un v\u00e9ritable labyrinthe puisque j\u2019y avait perdu ma fille, alors que l’organisation spatiale \u00e9tait plut\u00f4t lin\u00e9aire. J\u2019\u00e9tais sortie de cette visite avec mal \u00e0 la t\u00eate, ma fille au ventre. Je r\u00e9alisais apr\u00e8s que pas un mur \u00e9tait droit dans cette partie du b\u00e2timent, pas d\u2019angles \u00e0 90\u00b0, les fen\u00eatres \u00e9taient \u00e9galement coup\u00e9es en biais. Les rep\u00e8res gr\u00e2ce auquel le syst\u00e8me nerveux se stabilise, rien que par habitude, \u00e9taient modifi\u00e9s, de fa\u00e7on presque imperceptible mais certainement op\u00e9rante. J\u2019ai eu donc envie d\u2019interroger les sens et de chercher le moyen de les perturber, de bousculer mes rep\u00e8res, pas tant pour retrouver un malaise mais pour solliciter d’autres perceptions, chez moi et chez le spectateur. Cela passait en premier par quitter le plus possible la verticale, ou la \u00abmettre \u00e0 mal\u00bb. L’usage de la vid\u00e9o comme seul \u00e9clairage allait \u00ab\u00a0pixeliser\u00a0\u00bb la peau et l’image. Quant aux vid\u00e9os projet\u00e9es l’envie \u00e9tait de les faire bouger et les faire appara\u00eetre de fa\u00e7on inattendue. Le travail autour de l’image avait \u00e9t\u00e9 r\u00e9alis\u00e9 par Vidal Bini qui le g\u00e9rait ensuite sur le plateau avec le logiciel interactif Isadora. L’habilet\u00e9 et le sens artistique de Vidal avaient \u00e9t\u00e9 plus que pr\u00e9cieux, l’\u00e9coute aussi, collaborer avec lui c’est apprendre plein de choses et en plus il a toujours une solution \u00e0 tout, une vrai resource. J’ai le souvenir du plaisir pris \u00e0 filmer les objets, \u00e0 tordre des tissus pour leur donner un mouvement \u00e9trange, \u00e0 choisir des groseilles pour leur couleur exceptionnelle, l\u2019esth\u00e9tique du solo tendait \u00e0 la surexposition avec des couleurs proches du pop art, mais plus acidul\u00e9s. L\u2019id\u00e9e pour ce travail \u00e9tait d\u2019arriver \u00e0 en faire un objet \u00e9trange dans lequel le corps dansant s\u2019exposait en se rendant en m\u00eame temps peu visible et reconnaissable; souvent entrecoup\u00e9 par la lumi\u00e8re, accompagn\u00e9 par des images qui envahissaient la sc\u00e8ne, jouer avec des rythmes changeants, arriver \u00e0 cr\u00e9er des \u00e9l\u00e9ments de lecture diff\u00e9rents et inusuels qui puissent amener \u00e0 une sorte d\u2019irr\u00e9alisme.<\/p>\n

 <\/p>\n

 <\/p>\n

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L\u2019id\u00e9e initiale pour ce solo est d\u2019arriver \u00e0 en faire un objet \u00e9trange dans lequel le corps dansant s\u2019expose en se rendant en m\u00eame temps peu visible et reconnaissable, souvent entrecoup\u00e9 par la lumi\u00e8re, accompagn\u00e9 par des images qui envahissent la sc\u00e8ne, jouer avec des rythmes changeants, arriver \u00e0 cr\u00e9er des \u00e9l\u00e9ments de lecture diff\u00e9rents et inusuels qui puissent toucher \u00e0 une sorte de surr\u00e9alisme.<\/p>\n

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Ao\u00fbt 2006 | Dock11, Berlin<\/p>\n

Avril 2007 | Festival Coreografo elettronico, Palais des Arts (PAN), Naples<\/p>\n

Mai 2012 | Kanjiza, Serbie<\/p>\n

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Production SPONT\u00c9<\/strong><\/h4>\n

Partenariat : Dock11, Berlin<\/h4>\n

\u00a0<\/h4>\n

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OBJET D. (2006)Conception et interpr\u00e9tation Marika Rizzi Cr\u00e9ation images et vid\u00e9o :\u00a0Vidal Bini Son\u00a0: Vidal Bini et Matthieu Burner Avec la participation de Caroline Allaire  La visite du mus\u00e9e juif de Berlin avait \u00e9t\u00e9 le point de d\u00e9part pour ce solo. C\u2019est l\u2019architecture du b\u00e2timent et plus particuli\u00e8rement la structure du re-de-chauss\u00e9 qui m\u2019avait inspir\u00e9e. […]<\/p>\n","protected":false},"author":1,"featured_media":1543,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n

Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n\r\n\r\n

Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p><\/blockquote>\r\n\r\n\r\n\r\n

... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n\r\n\r\n

La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p><\/blockquote>\r\n\r\n\r\n\r\n

En tant que nouvel\u00b7le utilisateur ou utilisatrice de WordPress, vous devriez vous rendre sur votre tableau de bord<\/a> pour supprimer cette page et cr\u00e9er de nouvelles pages pour votre contenu. Amusez-vous bien\u00a0!<\/p>\r\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-1536","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nOBJET D. - MARIKA RIZZI<\/title>\n<meta name=\"description\" content=\"Solo pour une danseuse, son double en image, des groseilles, des piments rouges et des pailles color\u00e9s, en compagnie du logiciel interactif Isadora. Cr\u00e9ation 2005.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marika-rizzi.com\/index.php\/objet-d-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Objet d.\" \/>\n<meta property=\"og:description\" content=\"Solo pour une danseuse, son double en image, des groseilles, des piments rouges et des pailles color\u00e9s, en compagnie du logiciel interactif Isadora. 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