{"id":690,"date":"2020-10-04T17:59:00","date_gmt":"2020-10-04T15:59:00","guid":{"rendered":"https:\/\/marika-rizzi.com\/?page_id=690"},"modified":"2021-04-06T16:28:09","modified_gmt":"2021-04-06T14:28:09","slug":"jai-trouve-la-verticale-par-mes-sinus-elodie","status":"publish","type":"page","link":"https:\/\/marika-rizzi.com\/index.php\/jai-trouve-la-verticale-par-mes-sinus-elodie\/","title":{"rendered":"\u00ab\u00a0J’AI TROUV\u00c9 LA VERTICALE PAR MES SINUS\u00a0\u00bb \u00c9LODIE"},"content":{"rendered":"

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%22J’AI TROUV\u00c9 LA VERTICALE PAR MES SINUS%22 \u00c9LODIE<\/h1>\n

(2011)<\/h2>\n

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\u00ab\u00a0J’AI TROUV\u00c9 LA VERTICALE
PAR MES SINUS\u00a0\u00bb \u00c9LODIE<\/h1>\n

(2011)<\/h2>\n

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Conception et direction\u00a0Marika Rizzi<\/b><\/span><\/h3>\n

Interpr\u00e9tation et improvisation\u00a0\u00c9lodie Escarmelle<\/b><\/span><\/h3>\n

Son\u00a0Gaspard Guilbert<\/b><\/span><\/h3>\n

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Ce solo est la continuation du projet pr\u00e9c\u00e9dent \u00ab\u00a0Workaholic – dedicated to be\u00a0\u00bb, une recherche dans laquelle l’\u00e9coute dans un \u00e9tat d’immobilit\u00e9 permettait d’entrer en contact avec les mouvements internes. L’enjeux de la suite avec \u00c9lodie \u00e9tait de maintenir cette posture d’observation intime en tant que phase de pr\u00e9paration, dans le but d\u2019entrer ensuite dans l\u2019improvisation avec un calme olympien. Le d\u00e9sir \u00e9tait aussi d\u2019atteindre un \u00e9tat d\u2019attention qui puisse aider \u00e0 identifier et r\u00e9pertorier les diff\u00e9rentes moments de l\u2019improvisation, en termes de ressenti et des choix prises en temps r\u00e9el. \u00c0 la fin du solo \u00c9lodie allait \u00e0 une table, une serviette autour du coup telle une grande sportive et racontait ce qui s\u2019\u00e9tait pass\u00e9 pour elle; exactement comme le font les sportifs apr\u00e8s un match ou une performance, m\u00eame ton et m\u00eame r\u00e9cit au style factuel, apr\u00e8s tout improviser rel\u00e8ve de l\u2019exploit, n’est pas ? On se disait qu\u2019il \u00e9tait temps d’\u00e9couter l\u2019exp\u00e9rience des danseur.ses avec le m\u00eame s\u00e9rieux qu\u2019on accorde \u00e0 celle de sportifs de haut niveau. J\u2019adorais le contraste entre la figure d\u2019\u00c9lodie (je lui trouvais un air d\u2019Isabelle Rossellini) et l\u2019image d\u2019un joueur de tennis ou de football \u2026 sans cr\u00e9er de hi\u00e9rarchie \u2026 tout va bien entre Isabelle et M.Balle !\u00a0 Pendant la p\u00e9riode de recherche on avait d\u00e9cid\u00e9 de nommer ce qu\u2019on traversait, les ph\u00e9nom\u00e8nes qui nous interpellaient de fa\u00e7on particuli\u00e8re. C\u2019est comme \u00e7a qu\u2019un soir je vois \u00c9lodie ce lever de sa position assise et annoncer \u00abj\u2019ai trouv\u00e9 ma verticale par mes sinus\u00bb. Le solo avait trouv\u00e9 aussi son titre, j\u2019aimais l\u2019id\u00e9e qu\u2019il puisse expliciter de quoi il s\u2019agissait plut\u00f4t que d\u2019en r\u00e9sumer le concept. Quant \u00e0 la danse d\u2019\u00c9lodie, il faut en faire l\u2019exp\u00e9rience. \u00c9lodie est tr\u00e8s grande, ses bras et ses jambes sortent de l\u2019ordinaire et son \u00e9nergie est calme, incontestablement \u00abrelease\u00bb. La combinaison des deux qualit\u00e9s fait que le temps que ses membres prennent pour se d\u00e9ployer dans l\u2019espace devient le temps d\u2019un ailleurs. Partager l\u2019espace du mouvement avec \u00c9lodie m\u2019a toujours donn\u00e9 la sensation de bouger dans de la ouate, c\u2019est tr\u00e8s particulier et tr\u00e8s plaisant, le termes appropri\u00e9 est \u00ab\u00a0softness\u00a0\u00bb. Sa pr\u00e9sence et son geste ont le potentiel de transformer la consistance de l\u2019air environnant en un espace d\u2019accueil et de confort, un espace o\u00f9 le syst\u00e8me sympathique a l\u2019occasion de c\u00f4toyer et de glisser doucement vers son voisin para(sympathique).<\/p>\n

 <\/p>\n

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Mai 2012 | Festival Stranger than Fiction – Siobhan Davies Studio, Londres[\/et_pb_toggle][et_pb_text admin_label=\u00a0\u00bbproduction\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.3″ text_font=\u00a0\u00bbAbel||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb header_font=\u00a0\u00bbJosefin Sans|700||on|||||\u00a0\u00bb header_text_align=\u00a0\u00bbleft\u00a0\u00bb header_text_color=\u00a0\u00bb#444444″ header_font_size=\u00a0\u00bb48px\u00a0\u00bb header_2_font=\u00a0\u00bbAbel||||||||\u00a0\u00bb header_2_text_align=\u00a0\u00bbleft\u00a0\u00bb header_2_text_color=\u00a0\u00bb#444444″ header_2_font_size=\u00a0\u00bb21px\u00a0\u00bb header_3_font=\u00a0\u00bbAbel||||||||\u00a0\u00bb header_3_text_align=\u00a0\u00bbleft\u00a0\u00bb header_3_text_color=\u00a0\u00bb#444444″ header_3_font_size=\u00a0\u00bb17px\u00a0\u00bb header_4_font=\u00a0\u00bbAbel||||||||\u00a0\u00bb header_4_text_align=\u00a0\u00bbleft\u00a0\u00bb header_4_text_color=\u00a0\u00bb#666666″ header_4_font_size=\u00a0\u00bb13px\u00a0\u00bb header_4_line_height=\u00a0\u00bb1.3em\u00a0\u00bb background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb10px||8px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb|||50px|false|false\u00a0\u00bb]<\/p>\n

Production SPONT\u00c9<\/strong><\/h4>\n

Partenariat : MJC Pontault-Combault, Canaldanse Paris<\/h4>\n

Avec le soutien <\/strong><\/h4>\n

du CND Centre national de la danse, dans le cadre du pr\u00eat de studios[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/marika-rizzi.com\/wp-content\/uploads\/2020\/10\/Capture-de\u0301cran-2012-01-19-a\u0300-15.35.01.png\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019e\u0301cran 2012-01-19 a\u0300 15.35.01″ _builder_version=\u00a0\u00bb4.6.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbleft\u00a0\u00bb custom_margin=\u00a0\u00bb|0px||0px|false|false\u00a0\u00bb][\/et_pb_image][et_pb_video src=\u00a0\u00bbhttps:\/\/vimeo.com\/389693286″ src_webm=\u00a0\u00bbhttps:\/\/marika-rizzi.com\/wp-content\/uploads\/2020\/09\/Se-re\u0301soudre-dans-le-vide-Final.mp4″ image_src=\u00a0\u00bb\/\/i.vimeocdn.com\/video\/853451219_960.jpg\u00a0\u00bb thumbnail_overlay_color=\u00a0\u00bbrgba(0,0,0,0.6)\u00a0\u00bb disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.6.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb][\/et_pb_video][et_pb_image src=\u00a0\u00bbhttps:\/\/marika-rizzi.com\/wp-content\/uploads\/2020\/10\/Capture-de\u0301cran-2012-01-30-a\u0300-11.57.48.jpg\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019e\u0301cran 2012-01-30 a\u0300 11.57.48″ _builder_version=\u00a0\u00bb4.6.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/marika-rizzi.com\/wp-content\/uploads\/2020\/10\/Capture-de\u0301cran-2012-01-30-a\u0300-11.54.23.jpg\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019e\u0301cran 2012-01-30 a\u0300 11.54.23″ _builder_version=\u00a0\u00bb4.6.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/marika-rizzi.com\/wp-content\/uploads\/2020\/10\/Capture-de\u0301cran-2012-01-23-a\u0300-22.58.49.png\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019e\u0301cran 2012-01-23 a\u0300 22.58.49″ _builder_version=\u00a0\u00bb4.6.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0J’AI TROUV\u00c9 LA VERTICALE PAR MES SINUS\u00a0\u00bb \u00c9LODIE (2011)Conception et direction\u00a0Marika Rizzi Interpr\u00e9tation et improvisation\u00a0\u00c9lodie Escarmelle Son\u00a0Gaspard GuilbertCe solo est la continuation du projet pr\u00e9c\u00e9dent \u00ab\u00a0Workaholic – dedicated to be\u00a0\u00bb, une recherche dans laquelle l’\u00e9coute dans un \u00e9tat d’immobilit\u00e9 permettait d’entrer en contact avec les mouvements internes. L’enjeux de la suite avec \u00c9lodie \u00e9tait de […]<\/p>\n","protected":false},"author":1,"featured_media":676,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n

Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n\r\n\r\n

Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p><\/blockquote>\r\n\r\n\r\n\r\n

... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n\r\n\r\n

La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p><\/blockquote>\r\n\r\n\r\n\r\n

En tant que nouvel\u00b7le utilisateur ou utilisatrice de WordPress, vous devriez vous rendre sur votre tableau de bord<\/a> pour supprimer cette page et cr\u00e9er de nouvelles pages pour votre contenu. Amusez-vous bien\u00a0!<\/p>\r\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-690","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n"J'AI TROUV\u00c9 LA VERTICALE PAR MES SINUS" \u00c9LODIE - MARIKA RIZZI<\/title>\n<meta name=\"description\" content=\"Suite \u00e0 un temps pass\u00e9 dans l'\u00e9coute des sensations internes, \u00c9lodie entre dans un mouvement improvis\u00e9 tout en gardant son attention pr\u00e8s du sentir. \u00c0 la fin du solo elle fait un compte rendu pr\u00e9cis de sa performance, telle une grande sportive. Cr\u00e9ation 2011. 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