{"id":87,"date":"2020-08-26T19:24:16","date_gmt":"2020-08-26T17:24:16","guid":{"rendered":"https:\/\/marika-rizzi.com\/?page_id=87"},"modified":"2025-05-14T10:41:19","modified_gmt":"2025-05-14T08:41:19","slug":"cesserdetreun","status":"publish","type":"page","link":"https:\/\/marika-rizzi.com\/index.php\/cesserdetreun\/","title":{"rendered":"CESSER D’ETRE UN"},"content":{"rendered":"

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CESSER D’\u00caTRE UN<\/h1>\n

(2014-2015)<\/h2>\n

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Conception et r\u00e9alisation sculpture : Laurent Goldring<\/strong><\/h3>\n

Performance\u00a0: Marika Rizzi<\/strong><\/h3>\n

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Une sculpture blanche, entre le cristal et la fum\u00e9e, \u00e0 la fois cocon, habitacle, maison, terrier, toile, hamac, filet, cage, aquarium, bocal, nuage, ou brouillard, qui, selon le regard, contient, entoure, prot\u00e8ge, enferme, retient, soutient, aspire, d\u00e9coupe, le corps en l\u00e9vitation qui se d\u00e9place \u00e0 l’int\u00e9rieur.<\/span><\/p>\n

Ce processus de cr\u00e9ation permet de pr\u00e9voir plusieurs fa\u00e7ons de partager le travail avec le public. Des formes aussi diff\u00e9rentes que l’exposition, l’installation, la performance ou le spectacle peuvent \u00eatre convoqu\u00e9es, parce que le dispositif est \u00e0 la fronti\u00e8re de ces diff\u00e9rentes formes, et remet en question la distinction entre art plastique et art de la sc\u00e8ne.<\/span><\/p>\n

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Le dispositif de cr\u00e9ation consiste \u00e0 tisser un espace autour d\u2019un corps en mouvement\u00a0:<\/span><\/p>\n

Marika Rizzi \u00e9volue \u00e0 l\u2019int\u00e9rieur d\u2019un volume rigide, dessin\u00e9 par des barres de m\u00e9tal noir, volume dont elle ne sort jamais.<\/span><\/p>\n

Laurent Goldring tisse une sculpture faite de fil blanc en suivant les \u00e9volutions de Marika Rizzi dont les mouvements se laissent guider, en retour, par les trajets d\u00e9finis par le tissage.<\/span><\/p>\n

Les fils sont fragiles, le corps a besoin de s\u2019appuyer sur un grand nombre d\u2019entre eux pour \u00eatre soutenu\u00a0: il faut am\u00e9nager du plein avec le vide. En m\u00eame temps, un seul fil suffit \u00e0 emp\u00eacher de passer\u00a0: il faut am\u00e9nager des vides dans le vide.<\/span><\/p>\n

Encore une fois, faire une image c\u2019est cr\u00e9er du r\u00e9el, comme pour les corps, les visages et les costumes. Les pratiques de Marika Rizzi la conduisent \u00e0 exp\u00e9rimenter le contact improvisation avec l\u2019espace lui-m\u00eame tel qu\u2019il se mat\u00e9rialise dans le r\u00e9seau tiss\u00e9 autour d\u2019elle.<\/span><\/p>\n

Progressivement la densit\u00e9, la solidit\u00e9 et l\u2019\u00e9lasticit\u00e9 atteignent des seuils qui permettent de quitter la gravit\u00e9. Le corps peut alors se confondre avec cette masse semi opaque en suivant les zones de vide qui deviennent les galeries d\u2019un terrier a\u00e9rien, il commence alors \u00e0 se multiplier selon les labyrinthes de visibilit\u00e9s qui le fragmentent. On cesse d\u2019\u00eatre un.<\/span><\/p>\n

Le volume dessin\u00e9 par les fils \u00e9volue en fonction du tissage et la nouvelle sculpture ainsi obtenue conduit \u00e0 nouvelle dramaturgie pour les spectacles. Ainsi, chaque performance est unique et peut inclure le processus de cr\u00e9ation qui se poursuit devant les spectateurs.<\/span><\/p>\n

Le tissage est int\u00e9gralement au service de la performance parce qu\u2019il cr\u00e9e \u00e0 la fois la sc\u00e8ne sur laquelle le corps \u00e9volue, le d\u00e9cor qui organise le spectacle et le support mat\u00e9riel qui guide la chor\u00e9graphie. A l\u2019inverse le corps est int\u00e9gralement au service de la sculpture puisque on imposant sa pr\u00e9sence au tissage il l\u2019oblige \u00e0 respecter son \u00e9volution, son poids et ses \u00e9xigeances de mobilit\u00e9\u00a0: il creuse ses trajets dans le volume et donne \u00e0 la sculpture finale sa dynamique organique.<\/span><\/p>\n

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11 Novembre 2014 | Espace Pasolini, Valenciennes<\/p>\n

2\/3 D\u00e9cembre 2015 | Festival Unfolding Kafka, Bankok<\/p>\n

8\/9 Juin 2016 | Festival June Events – Le BAL, Paris<\/p>\n

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Coproduction<\/strong><\/h4>\n

Ballet de l’Op\u00e9ra National du Rhin \/ CCN de Mulhouse dans le cadre de l’accueil studio 2015<\/h4>\n

Espace Pasolini – laboratoire artistique \/\/ Valenciennes.<\/h4>\n

Avec le soutien <\/strong><\/h4>\n

du CND Centre national de la danse, dans le cadre de pr\u00eat de studio
CCNFC Belfort
M\u00e9nagerie de Verre dans le cadre du Studiolab<\/h4>\n

\u00a0<\/h4>\n

CESSER D’\u00caTRE UN<\/em> a re\u00e7u l’aide au projet de la Direction r\u00e9gionale des affaires culturelles d’ile-de-France – Minist\u00e8re de la Culture et de la Communication DRAC-IDF.<\/h4>\n

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CESSER D’\u00caTRE UN (2014-2015)Conception et r\u00e9alisation sculpture : Laurent Goldring Performance\u00a0: Marika RizziUne sculpture blanche, entre le cristal et la fum\u00e9e, \u00e0 la fois cocon, habitacle, maison, terrier, toile, hamac, filet, cage, aquarium, bocal, nuage, ou brouillard, qui, selon le regard, contient, entoure, prot\u00e8ge, enferme, retient, soutient, aspire, d\u00e9coupe, le corps en l\u00e9vitation qui se […]<\/p>\n","protected":false},"author":1,"featured_media":90,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n

Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n\r\n\r\n

Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p><\/blockquote>\r\n\r\n\r\n\r\n

... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n\r\n\r\n

La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p><\/blockquote>\r\n\r\n\r\n\r\n

En tant que nouvel\u00b7le utilisateur ou utilisatrice de WordPress, vous devriez vous rendre sur votre tableau de bord<\/a> pour supprimer cette page et cr\u00e9er de nouvelles pages pour votre contenu. Amusez-vous bien\u00a0!<\/p>\r\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-87","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nCESSER D'ETRE UN - MARIKA RIZZI<\/title>\n<meta name=\"description\" content=\"Une sculpture blanche, entre le cristal et la fum\u00e9e, \u00e0 la fois cocon, habitacle, maison, terrier, toile, hamac, filet, cage, aquarium, bocal, nuage, ou brouillard, qui, selon le regard, contient, entoure, prot\u00e8ge, enferme, retient, soutient, aspire, d\u00e9coupe, le corps en l\u00e9vitation qui se d\u00e9place \u00e0 l'int\u00e9rieur.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marika-rizzi.com\/index.php\/cesserdetreun\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cesser d'\u00eatre un\" \/>\n<meta property=\"og:description\" content=\"Cr\u00e9ation 2013-14. Conception et r\u00e9alisation sculpture : Laurent Goldring- Performance : Marika Rizzi - Une sculpture blanche, entre le cristal et la fum\u00e9e, \u00e0 la fois cocon, habitacle, maison, terrier, toile, hamac, filet, cage, aquarium, bocal, nuage, ou brouillard, qui, selon le regard, contient, entoure, prot\u00e8ge, enferme, retient, soutient, aspire, d\u00e9coupe, le corps en l\u00e9vitation qui se d\u00e9place \u00e0 l'int\u00e9rieur.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/marika-rizzi.com\/index.php\/cesserdetreun\/\" \/>\n<meta property=\"og:site_name\" content=\"MARIKA RIZZI\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-14T08:41:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/marika-rizzi.com\/wp-content\/uploads\/2020\/08\/cesser4.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1417\" \/>\n\t<meta property=\"og:image:height\" content=\"796\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Cesser d'\u00eatre un\" \/>\n<meta name=\"twitter:description\" content=\"Cr\u00e9ation 2013-14. 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